How To Talk About Art History

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The Art History of Pandemics

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On July 22, 2020

In Art History 101

Watercolour painting of a group of men standing on an outdoor porch around a table working on rat carcasses. A group of men stand watching them in the background, and a man stands on the right of the painting holding a tray with a bottle of water and food.
India: a laboratory in which dead rats are being examined as part of a plague-prevention programme. Watercolour, by E. Schwarz, 1915/1935 (?). Credit: Wellcome Collection. Attribution 4.0 International (CC BY 4.0)

I’ve been writing this from April to July 2020, when the world is in the midst of the COVID-19 pandemic. 

Amidst all of the fears and frustrations and disruptions of the everyday, I’ve been finding some comfort in the art and visual culture that came out of previous pandemics and epidemics from history. The Black Death used to feel like a distant historical curiosity; now, I can start to understand even a little bit of what the atmosphere might have been like.

Below, I want to take you through the diverse, beautiful, interesting, and, unfortunately, relatable art history of seven of the deadliest pandemics and epidemics throughout history, from the 100s to present day. I hope it brings some perspective or enjoyment during the strange times we’re in.

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5 Examples of Animals Acting Like Humans in Art History

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On May 26, 2018

In Art History 101

Oil painting on canvas of seven dogs of different breeds sitting around a round poker table. Each dog is holding playing cards and there are poker chips on the table. The dog closest to the viewer is holding an extra playing card with its toes beneath the table.

I was recently challenged by Tamar Avishai of the art history podcast The Lonely Palette to write a blog post inspired by her recent episode on C. M. Coolidge’s Dogs Playing Poker, the famous series of paintings of dogs playing poker (she herself was challenged by a listener). Her episode is a great exploration of kitsch in art history and you should definitely check it out!

When thinking about how to approach this truly beautiful challenge, I was inspired to focus on one of my favourite things: animals in art history. Specifically, animals acting like humans in art history. This is a theme that reoccurs again and again, across cultures. Why is it so popular? What are these artworks saying about society? How cute are the animals in them? To start to answer these questions, I’ve compiled a short list, in no particular order, of animals acting like humans in art history below.

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“Why Have There Been No Great Women Artists?”: A Case Study

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On May 22, 2017

In Art History 101

five female artists 2

This post is a collaboration with Jennifer Dasal from the ArtCurious Podcast, in which we’ve both taken art historian Linda Nochlin’s 1971 article, “Why Have There Been No Great Women Artists?” and talked about it from new, contemporary perspectives. Go check out Jennifer’s episode here!

It’s easy for the average person to name one or two famous artists throughout history. Most can probably even manage nine or ten. But specify female artists, and things get a lot more difficult.

Even when people can name a few female artists, there’s usually only a small repertoire that gets repeated over and over: Georgia O’Keeffe, Frida Kahlo, Cindy Sherman, Artemisia Gentileschi, Mary Cassatt, Élisabeth Vigée Le Brun, Marina Abramović. Only a handful of female artists have become famous enough to become (somewhat) household names. Why is that? Why have there been no great women artists? That’s the famous art historical question I’ll be answering today, by looking at five specific women artists – along with five gender-related reasons for why they’ve been left out of art history.

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Where were all the female Abstract Expressionists?

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On January 31, 2017

In Reader Questions

Abstract painting with blue shapes on a black background. A mix of large rectangular blocks and smaller curvilinear shapes.

Blue & Black (1951 – 53), by female Abstract Expressionist Lee Krasner

Reader question: “I wonder if there have been women engaging in abstract expressionist art and if we maybe only don’t know them because Clement Greenberg forgot to tell us about them?” – asked by Natascha

Short answer: Yes! There were plenty of women engaging in Abstract Expressionist art that simply never gained the fame and recognition that their male counterparts did. Perhaps more so than any other art movement (except for maybe Neoclassicism and Minimalism), Abstract Expressionism has always been regarded as a highly masculinised movement. While it’s true that female artists were often systematically excluded and/or marginalised within the movement (hint: most of them used male pseudonyms), they were definitely there, and deserve as much attention as the men.

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Art History 101: How to Look at an Artwork

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On August 13, 2016

In Art History 101

Image description: a person with long black hair is looking at a painting. The painting depicts a man with black birds flying around him.

Looking at The Circle Game by Elmer Borlongan at the Pinto Art Museum in Antipolo, Philippines. Photo © Ellen Oredsson

Looking at art can be wonderful, but it can also be difficult. I didn’t learn how to interpret art during my childhood in the same way that I learned to interpret books or movies. This meant that even if I enjoyed looking at art, sometimes it felt like looking without really seeing or understanding – a feeling many others share. To make the process easier, I’ve written some guidelines for how to look at an artwork that you’re interested in.

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“2D Op Art makes you feel like it’s 3D. So how do you create 3D Op Art?” – The Art of Optical Illusions

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On November 19, 2015

In Reader Questions

 

Riley,_Movement_in_Squares

Movement in Squares, 1961, by Bridget Riley.

Reader question: “2D Op Art makes you feel like it’s 3D. So how do you create 3D Op Art?”

I received this question from a jewelry designer interested in creating jewelry inspired by Op Art, but did not know how to recreate the effect in a more sculptural form. It’s true that most Op Art is created on a 2D surface – creating the effect that it seems to be jumping off the page – but, as I will go through in this post, there were actually a few sculptors even in the original Op Art movement.

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