Bangladesh Liberation War (1971) by Bangladeshi artist Zainul Abudin, who helped form the Faculty of Fine Arts at Dhaka University.
Reader Question: “I come from Bangladesh and find that Western art history doesn’t do much to help understand the artistic traditions where I’m from – how is this addressed in your study of Art History? Is it addressed at all?”
Western art history – or at least mainstream Western art history – really does very little to address the artistic traditions of non-Western countries. Many people find this perfectly acceptable, arguing that Western art history is about Western countries and shouldn’t have to address anything beyond that. For me, there are three problems with this point of view that should push us towards a more inclusive art historical mainstream.
